My new rock album, Pop and Circumstance

POP AND CIRCUMSTANCE (2024)

Listen on Spotify, Apple, YouTube, Amazon, Tidal or this website.

1. What Love Can Do
2. Get Out While the Getting’s Good
3. Your Work Day
4. One Good Turn
5. A Thing For You
6. Stretched Too Thin
7. Codependency
8. Long

Music and Lyrics written by Paul Heinz.

Drums – Josh Holm, except track 6, Sam Heinz.
Bass – Johnny Furman, tracks 1-3, Julian Wrobel, tracks 4-8, PH, supplemental bass.
Guitar – Brandon Schreiner, tracks 1, 2, 7, solo on 5, Griffin Cobb, tracks 3-4, Roy Anderson tracks 5-6, 8, PH, supplemental guitar.
Backup Vocals – Jessica Heinz and PH.
Second Vocal on track 2 – Anthony Calderisi.
Paul Heinz – vocals and keys.

Copyright 2024, Paul Heinz. All Rights Reserved.

Cover art by Sarah Heinz based on a concept by PH.

Drums engineered by Mark Walker at Kiwi Audio, Batavia, IL, on July 10, 2022.
Mixed by PH with helpful feedback from Mark Walker, Johnny Furman, Brandon Schreiner, Sam Heinz and Anthony Calderisi.

Mastered by Collin Jordan of The Boiler Room, Chicago, IL.

Thanks to all of the musicians, engineers and artists, as well as to Isaac Triska for giving it his all.

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The short version is that I’d hoped to be completed with this project by December of 2022. Oops.

Here’s the long version. Still just clawing our way out of the pandemic in the spring of 2021 and immediately on the heels of completing The Human Form Divine, I decided to tackle what I thought was a brilliant idea: take the original recordings from my 2000 album, Better Than This, and mess around with the mixes. Maybe re-record the vocals of a 32 year-old me and replace them with my more mature voice, add some live drums, get things properly mastered. It would be a blast! So I took out my trusty CD-ROMs upon which I’d stored all the tracks, only to discover that most of them weren’t retrievable. Gone. I even took the CDs to a specialist, and the conclusion was the same: I either had to live with what I recorded back in 1999 or completely re-record the tunes.

Well, why not? I relearned my piano parts, got a proper click-track programmed, recruited my son Sam to record drums, and even tracked down the original guitarist from the original album, Andrew Portz from Pennsylvania. Unfortunately, Sam didn’t get the songs down during the summer of 2021 and was soon back off to college. I was in a bit of a bind.

I searched for a replacement drummer, and after hitting a few dead ends, Josh Holm entered the picture, recommended to me by my friend and current podcasting partner Chris. Our initial conversation went something like this: would you like to play drums on an album? If yes, we have two options: completely re-record Better Than This or record a new album of what was shaping up to be a collection of up-tempo tunes, possibly in the realm of power pop. Josh chose the latter, thinking it would be a lot more fun to create parts for new tunes rather than reproducing parts for old tunes. Probably a good call (though I’d love to revisit Better Than This one day).

This was in September in 2021. I hadn’t really written any songs yet but had snippets, some of which I’d shared with Chris a year or two earlier, hoping to do some collaborating, but he didn’t have the bandwidth to address them at the time. So I started writing in earnest, going back to song ideas I’d recorded on my phone over the years, and even one that I started composing over two decades ago (”Long”). It’s funny how once you make a commitment to finishing something, you actually finish something! I started marrying ideas together to complete songs, and as always happens once I start a project, I also wrote several songs from scratch in the ensuing months.

In December, I finally had a demo to send to Josh, a song called ”Your Work Day,” taken from a guitar line I’d written the previous March. Later that month I finished “Get Out While the Getting’s Good,” the chorus of which I’d written the previous February and that I eventually combined with a verse I’d written in November of 2019.

“Codependency” was written in short order on guitar in July of 2021. It’s one of those chord progressions that I would never be able to write on piano. With guitar, I place my hands down and don’t really know what’s going to come out, and sometimes happy accidents occur. I finished the demo for this tune in January.

The phrase “What Love Can Do” was taken from a comment I made during a Packers game in January of 2022. Someone asked me if I wanted Aaron Rodgers to come back the following season, and I answered, “I want to see what Love can do” referring to the team’s second-string quarterback, Jordan Love. Someone said, “That would be a great song title.” And it was! I just needed to write a song. I started composing the tune and by the second week of February it had come together, with just a few lyrics to be ironed out.

I thought of “One Good Turn” in December of 2021 with the chorus pretty much complete. The verses came together that January, and the tune was ready save for a few lyrical phrases later that month.

In April I completed the demo for “Stretched Too Thin,” a song I began way back in 2010 when I still carried around a hand-held recorder. The verse and melody of the B section were fully formed right out of the box, but I wasn’t sure what to do with it beyond that. The bridge “…trying to be a good husband” was written in 2017, and then the tune sat on the backburner until I finally got the motivation to take it to the finish line.

The origins of “A Thing for You” came while I was cutting the lawn in May of 2021, with the verse melody pretty much complete. That September I composed the pre-chorus and chorus, the latter from a riff that I had written a year earlier for an entirely different tune.

Lastly was “Long,” a song I began writing in January and August of 1999 (I still have my original notes) during my stint in Emmaus Pennsylvania, nearly fully formed except for a few key lyrical phrases. Funny how just a few lines can really muck up a tune! It took me a “long” time, but I finally put this one to bed in May of 2022.

I met with Josh at his home to talk through the songs, and on July 10, 2022, he recorded drums at the now defunct Kiwi Studios in Batavia, IL, where I’d recorded at least parts of every album I’d made since The Palisades in 2016. Since my son Sam was back from school by this time, he played drums on “Stretched Too Thin,” and both he and Josh did a terrific job of injecting new life into songs. Real musicians do something that no amount of programming can accomplish. At the controls was Mark Walker who also assisted me on my last recording, and as is always the case at Kiwi, the session was low-stress and productive. We celebrated our achievement at the end of the day with drinks and stogies.

Because the music on this project resembled power pop, I recruited my old bandmate Johnny Furman to play bass, as we had played in a power pop band called Block 37 last decade. I knew he’d be perfect for my new batch of songs. Opting to play on three of them, he sent me tracks in August of 2022. Next on bass came my trusty assistant, Julian Wrobel, who’s played on my last three projects. Julian is a force on bass, employing lines that I couldn’t dream of in a million years. He came over to my house on two dates in August and knocked off the other five songs in short order.

On guitar, I first recruited another old bandmate from a long time ago, Roy Anderson, who I played with in Milwaukee back in 1991-1992. He had played guitar on a few tracks on The Dragon Breathes on Bleeker Street way back in 2003, and we’d recently gotten in touch again. I sent him tracks to a few tunes that I thought would be up his alley and he didn’t disappoint, adding parts to “Long,” “A Thing For You” and “Stretched Too Thin.” Griffin Cobb of Louisville, KY returned after doing a stellar job on my previous album, sending me tasty tracks remotely for “Your Work Day” and “One Good Turn.” Finally, a new musician friend of mine, Brandon Schreiner, came to the rescue on the remaining tracks, coming over a few times in the fall and early winter of 2022, taking the songs “What Love Can Do,” “Get Out While the Getting’s Good,” and “Codependency” to the finish line (at least guitar-wise. I still had a long way to go), and adding the solo to “A Thing For You.”

For vocals I was uncertain about what to do, as admittedly, my voice is not that strong for this type of music. My friend and fellow musician Isaac recorded a few tracks for a couple of tunes in January, but I ended up recording vocals myself, often with the attitude I desired but without the finesse and skill I wished for. I knew I needed help on at least one song, and my old cohort Anthony Calderisi came to the rescue, providing the second vocal for “Get Out While the Getting’s Good” in June of 2023. As ever, on backup vocals was my daughter Jessica, who knocked out her parts with professionalism in an hour or so. I’m glad she didn’t inherit her old man’s vocal chops.

I started mixing in earnest in July of 2023, but after a month or so I decided I hated everything I’d recorded and had to take a break. This happened with my last album as well, and after a few months of hemming and hawing, I ran into Brandon at an impromptu music jam in friend Rob’s basement, and he gave me the pep talk I needed to resume mixing. I also bounced an idea off him that I soon put into action.

Enter Mark Walker once again, the audio engineer who led the drum sessions over a year prior. I asked if he could help me take the mixes to the finish line once I got them to a decent place, and on December 3rd he came to my house and together we dialed in the bass and kick relationship that I so often struggle with, along with a few other issues. I handled multiple rounds of additional tweaks for the next week, and finally got the files sent off to Collin Jordan of The Boiler Room in Chicago for mastering.

For the album cover, I once again employed my in-house artist, daughter Sarah, who’s now done covers for four out of my last five albums. I had the idea of incorporating as many uses of the word “pop” as possible, and Sarah didn’t disappoint, completing the art in short order, long before I’d even finished recording.

So there you have it! Next up is (I think) an album of moody music composed around a particular theme, hopefully with my daughter Jessica contributing on vocals. We shall see if it comes to fruition.

PH

Record Night Returns: the Recently Departed

Music fans everywhere have been ruminating for a while about how difficult these next twenty years are going to be, as our rock and roll heroes leave Planet Earth just in time to avoid the developing catastrophe that will be the latter half of the 21st Century.  But upon further reflection, we really don’t have to wait to feel the pain because the last decade has already been rough.  I hadn’t realized the extent to which we’ve lost our musical brothers and sisters until last week, when Record Night festivities resumed at the Wall of Sound in Menomonee Falls, Wisconsin.  A dubious crew gathered to honor those artists who died within the last decade.  Songs were celebrated, drinks were consumed, and mistakes were made, as noted below.  But even avoiding the obvious casualties – Michael Jackson, David Bowie, George Michael and Tom Petty (until the very last song) – there were a staggering number to choose from.  True, we reached pretty deep with some of these, but that’s what makes these types of outings fulfilling. 

Without further ado, celebrate with us as we pay homage to the recently departed.  My apologies for any errors.

Southern Nights – a twofer tribute of singer Glen Campbell and songwriter Allen Toussaint.  We also played a bit of God Only Knows, which was unfortunate
Massachusetts – Robin Gibb of the Bee Gees
Glory Days – Clarence Clemons of the E. Street Band (though, sadly, no saxophone on this song!)
Fool for the City – Craig MacGregor of Foghat
Drown in my Own Tears – Pat Dinizio of The Smithereens
It’s the Singer Not the Song – Jimmy Jamison of Survivor
I Was a Teenage Werewolf – a twofer of Lux Interior of the Cramps and producer Alex Chilton
Beyond Belief – producer Geoff Emerick for this Elvis Costello and the Attractions song
Starrider – Ed Gagliardi of Foreigner
Dreams/Zombie – Dolores O’Riordin of The Cranberries

It should be noted that in the midst of these record selections, one could hear Kevin uttering while checking Google, “That sucks!  I thought he was dead!”  Such is the competitiveness of song selections on record night.

Peaceful Easy Feeling – Glenn Frey of The Eagles
Home and Dry – Gerry Rafferty

This has been my favorite song for the past two weeks.  I’ve played it perhaps twenty times and figured out the unusual chord pattern on the piano.

Creep – Scott Weiland of Stone Temple Pilots
Thank You For Being a Friend – Andrew Gold
Say It Isn’t So – John Spinks of The Outfield
The Cover of Rolling Stone – Ray Sawyer of Dr. Hook & the Medicine Show
Touch and Go – a twofer of Keith Emerson and Greg Lake of – in this case – Emerson, Lake and Powell
Knocking at Your Back Door – Jon Lord of Deep Purple
Burning Bright – Roger Ranken of General Public
20th Century – Shawn Smith of Brad
Saturday Night – Alan Longmuir of Bay City Rollers
Looking Around – a twofer of Peter Banks and Chris Squire of Yes
Love at First Feel – Malcom Young of AC/DC
God Only Knows (again!) – this time with Daryl Dragon of Captain & Tennille
Snortin’ Whiskey/Boom, Boom – Pat Travers
Call Me a Dog – Chris Cornell
Flying Cowboys – producer Walter Becker for Rickie Lee Jones
Livin’ Thing – Mike Edwards of ELO
Queen of the Night – Whitney Houston
Be Like That – Matt Roberts of Three Doors Down
People are Strange – Ray Manzarek of The Doors
Think – Aretha Franklin
Might Mighty – Morris White of Earth, Wind & Fire
Ride My Seesaw – Ray Thomas of The Moody Blues
I Go Crazy – Nick Marsh of Flesh for Lulu
In the Dead of Night (Presto, Vivace and Reprise) – a twofer of Allan Holdsworth and John Wetton of UK
I Can Feel Your Heartbeat – David Cassidy

Note: Paul thought it was 10cc!

To Be With You – Pat Torpey of Mr. Big
Getting Closer – producer Phil Ramone for Billy Joel, who was playing not 30 minutes away at Miller Park
Space Station #5 – Ronnie Montrose of Montrose
Jammin’ Me – Tom Petty

That was all we had time for, but there were others we could have chosen, most notably the aforementioned superstars, but I was ready to go with George Martin productions, songs co-written by Jerry Lieber, Chuck Berry, etc. were it not for a two hour drive home awaiting me.

There will be more heroes to fall, as there must be.  Hang on tight, music fans.  It’s going to be a rough ride.

Basic Rock from the 80s and 90s

A few weeks ago, my friends are I challenged each other to a difficult task: select songs from our record collections from 1980 to 2000 that had – as a minimum and a maximum – only guitar, bass, vocals and drums.  No strings.  No brass.  No tuned percussion.  No harmonica.  No accordion.  You name it.  Just the basics.  This was a much harder endeavor than any of us had expected, especially as we challenged each other to represent all twenty-one years – not so easy during the 80s when even the biggest rock and rollers resorted to filling in the soundscape with a synthesizer, an organ or a violin (yeah, I’m talking to you, Mellencamp).  For me, 1982 was the most difficult year to represent.  I started off all cocky: “No problem, I’ll pick U2, REM or The Replacements.”  Well, Mr. So-Sure-Of-Himself, U2 and The Replacements skipped 1982, and R.E.M. didn’t put out their first album until the following year.  That I was never into heavy metal or big-hair bands (or grunge, for that matter) made the task set before me seem impossible at times.  With a week to go until the big unveiling of our lists, I managed to find an LP from 1982 with a tune that provided the very basics.  Thank you, Cheap Trick.

The evening was a bit haphazard, and we ran out of time to represent each year, but here’s what I documented.  For each year, my selection is listed first, then John’s, then Kevin’s.  Yes, the Replacements and the various iterations that resulted from the band are over-represented, but that ain’t bad; the song by Bash and Pop was one of the highlights of the evening for me.

1980

Billy Joel, Close to the Borderline

Cheap Trick, Baby Loves to Rock

Kenny Loggins, I’m Alright; John Wetton, Turn on the Radio

1981

Pat Benatar, Take it Anyway You Want it

The Church, a song whose title I forgot to document

4 selections from Kevin: Romantics, In the Nighttime; Stray Cats, Runaway Boys; Billy Squire, I Need You; Adam Ant, Beat My Guest

1982

Cheap Trick, Time is Runnin’

Marshall Crenshaw, Mary Ann

Kevin, opted for another 1981 release!

1983

The Pretenders, Time the Avenger

John passed

Black Sabbath, Trashed

1984

Big Country, Where the Rose is Sewn

Replacements, I Will Dare

Scorpions, Leaving You

1985

John Mellencamp, Rain on the Scarecrow

REM, Kohoutek

Anthrax, Medussa

1986

Joe Jackson, Hometown

Smithereens, Strangers When We Meet

Violent Femmes, Heartache

1987

The Bears, Fear is Never Boring

Replacements, (a bunch from Pleased to Meet Me)

Jesus and Mary Chain, April Skies

1988

The Pursuit of Happiness, Walking in the Woods

Pixies, Where is my Mind

Kevin passed

1989

Blake Babies, Dead and Gone

Lou Reed, Stawman

Gene Loves Jezebel, It’ll End in Tears

1990 We didn’t get to this year, but my pick was…

Replacements, Attitude

1991

Lloyd Cole, Weeping Wine

Meat Puppets, This Day

Concrete Blonde, Joey

1992

Keith Richards, Eileen

Paul Westerberg, Waiting for Somebody

Kevin passed

1993

Judy Bats, Simple

Buffalo Tom (entire CD of Big Red Letter Day); Bash and Pop, Friday Night (Is Killing Me)

L7, Scrap

1994

Green Day, Basket Case

Neil Young, Piece of Crap

Nirvana, The Man Who Sold the World

1995 We didn’t get to this year, but my pick was…

Emmy Lou Harris, Where Will I Be

1996

Barenaked Ladies, The Old Apartment

Rage Against the Machine, Bulls on Parade

Kevin passed

1997

Old 97s, Time Bomb

Sun Volt, Picking up the Signal

Kevin passed

1998

Fastball, Fire Escape

Lucinda Williams, Car Wheels on a Gravel Road

Beck, Bottle of Blues

1999  We didn’t get to this year, but my pick was…

Indigo Girls, Cold Beer and Remote Control

2000  We didn’t get to this year, but my pick was…

Steve Earle, Another Town

The Music of 1979-1980

In our efforts to make music matter again in our lives (see Making Music Matter, part 1 and part 2), a few friends and I met at Kevin’s “Wall of Sound” basement in Wisconsin to play and discuss music from the golden years of 1979-1980, and the results were even more brilliant than I had expected.  What a incredible two year period, when hard rock, punk, new wave, soul, arena rock, fusion, prog rock, folk rock and every other kind of rock you can slap a label on converged for a perfect period of music proliferation.  And get this – most of it was actually played on the radio back in the day!  Crazy times.  1979-1980 might be the strongest two years in my book.  What about yours?

Here’s the list in all its glory – probably close to six hours of music.  It should be noted that music selections were viewed through the lenses of white suburban men who were once white suburban boys.  Notably absent are artists like Kool and the Gang, Isaac Hayes, Donna Summers, Earth Wind and Fire, etc.  We are worse for it.

The Knack – Good Girls Don’t

The Knack – Let me Out

The Police – Bombs Away

The Romantics – Tom Boy

Off Broadway – Bad Indication

Nick Lowe – Switch Board Susan

Roxy Music – Over You

Billy Thorpe – Dream Maker (this is not a good song, but was used to stump Kevin.  It was not successful).

Billy Thorpe – Children of the Sun

Jeff Beck (with Jan Hammer) – Star Cycle

Donny Iris – She’s So Wild (also used to stump Kevin.  This one was successful!)

Donny Iris – Ah!  Leah!

OMD – Red Frame/White Light

Pete Townsend – Let My Love Open the Door

Pete Townsend – And I Moved

Led Zeppelin – I’m Gonna Crawl

Blondie – Union City Blue

Ian McLagan – La De Da (this stumped everyone)

Alan Parsons Project – Snake Eyes

Fleetwood Mac – Brown Eyes

Talking Heads – Air

Rolling Stones – Emotional Rescue

Paul McCartney – So Glad to See You

Joy Division – Love Will Tear Us Apart

Jackson Browne – Boulevard

The Kinks – Moving Pictures

Queen – Don’t Try Suicide

The Police – Reggatta De Blanc

The Cars – Let’s Go

Cheap Trick – Dream Police

Yes – Does is Really Happen

John Cougar – Ain’t Even Done with the Night

Bruce Springsteen – Point Blank

Bruce Springsteen – Cadillac Ranch

The Pretenders – Precious

Supertramp – Child of Vision

Bob Welsh – Precious Love

Rush – Free Will

AC/DC – Shot Down in Flames

Generation X – Kiss Me Deadly

The Kings – Partyitis

The Kinds – This Beat Goes On/Switchin’ To Glide

Neil Young – Powder Finger

U2 – A Day Without Me

U2 – I Will Follow

Rickie Lee Jones – Danny’s All-Star Joint

Bob Dylan – Gotta Serve Somebody

Steely Dan – Gaucho

Dr. Hook – Sexy Eyes

REO Speedwagon – Don’t Let Him Go

Yipes – Out in California

The Eagles – In the City

Head East – It’s Got to be Real

The Clash – Lost in the Supermarket

The Damned – Jet Boy, Jet Girl

Joe Jackson – On the Radio

Van Halen – D.O.A.

Journey – Too Late

Kansas – Hold On

Genesis – Turn it on Again

Talking Heads – Once in a Lifetime

Tom Petty – Even the Losers

Elvis Costello – Senior Service

Joan Jett – Bad Reputation

Aretha Franklin – Think

Aerosmith – Three Mile Smile

Aerosmith – No Surprise

Al Stewart – Midnight Rocks

Muppets – Rainbow Connection

Peter Gabriel – No Self Control

Elton John – Little Jeanie

Not too shabby a list!  And we didn’t even touch Pink Floyd, Billy Joel, Prince, The B-52s, Michael Jackson, Graham Parker, Robert Palmer, Santana, Kiss, ELO, Chaka Kahn, Pat Benatar, Dire Straits, ZZ Top, Toto, Styx, etc.

Tell me a two year period that’s better.  There might be!