Paul Heinz

Original Fiction, Music and Essays

A Year of Great Live Music

It seems crazy that for about 18 months in 2020 and 2021, there was no live music. I wasn’t watching it. I wasn’t playing it. I was, well…I’m not sure what the heck I was doing for those 18 months. Can you remember what you were doing? I think that the old John Steinbeck quote from Travels With Charlie rings true: “Eventlessness collapses time.”

By the end of 2021 I’d gotten a few gigs and dipped my toes into watching live music again: one outdoors and one indoors with masks on. Some great shows, but for me the floodgates really opened this year, 2024, a magical year for music that will surely provide the signposts necessary to truly remember the time period, rather than having it float away in the ether of my fading memory.

What’s particularly gratifying is that I saw eight acts I’d never seen before in six venues I’d never visited before, including two iconic sites: The Troubadour and The Hollywood Bowl. Both were very cool to check out and rectify the preconceived mental pictures I’d conjured (turns out that The Troubadour isn’t narrow and deep, but wide and shallow. Who knew?). In addition, I’m happy that at least half a dozen acts are producing legitimate new material. In other words, I wasn’t only scratching the itch of seeing legacy acts. Finally, as I wrote about a few months ago, I got to see shows with two of my kids, my wife, my sister, and a bunch of buddies, adding another element of good feelings.

Without further ado, here’s the list:

January 27, Black Pumas, Salt Shed (indoors), Chicago, IL
March 22, The Lone Bellow, The Troubadour, West Hollywood, CA
April 18, Graham Parker, Old Town School of Folk, Chicago, IL
April 20, Robert Cray Band, Des Plaines Theater, Des Plaines, IL
June 8, James Taylor, Ravinia, Highland Park, IL
June 16, Joe Jackson, Cahn Auditorium, Evanston, IL
June 27, Mike Campbell and the Dirty Knobs, Pat McCurdy, The Dandy Warhols, The Hold Steady, Summerfest, Milwaukee, WI
August 17, Sara Bareilles with opener Renée Elise Goldsberry, Hollywood Bowl, Hollywood, CA
September 18, Keane with opener Everything Everything Chicago Theater, Chicago, IL
September 26, Lake Street Dive, Salt Shed (outdoors), Chicago, IL
October 8, Charles Heath Quartet, Andy’s Jazz Club, Chicago, IL
October 17, Saga, Arcada Theater, St Charles, IL
October 24, Stevie Wonder, Fiserv Forum, Milwaukee, WI
November 1, BEAT (80s King Crimson), Copernicus Center, Chicago, IL

In addition to these shows, I played live eighteen times, plus a church gig or two, I recorded 50 podcast episodes, I completed an album, wrote additional songs for my next project, purchased close to 100 records and CDs…if I’m being honest, by the time I saw BEAT in November, I was kind of finished. It’s been a hell of a great year for music.

To date, I have tickets to only one show in 2025, and given the amount of money my family has been spending lately, that may be the way it has to stay. It’s time to do more writing, recording and producing and less consuming!

Copyright, 2024, Paul Heinz, All Right Reserved